Although rabbit-proof fence is ‘wholly australian’ in terms of production finance, the creative input into the film reveals the extent to which australian talent is an integral part of the international film industry. 11 32 follow the rabbit-proof fence the uncommon experience of three young girls escaped from the moore river native settlement is told in the second part of the book follow the rabbit-proof fence.
Today racism is still seen in the australian lifestyle but it is not near as strong as it was many years back two films 'yolungu boy and 'rabbit proof fence' both portray aboriginal racism and unfairness to aboriginals in different ways and strengths as they were set in different time periods one in 1930 and one in present day, the 21st century. Rabbit-proof fence was warmly received by both audiences and critics upon its release in 2002 grossing over $16 million at the international box office, the film received a raft of awards – including the afi award for best film – and positive reviews.
Although rabbit-proof fence depicted a successful escape made by molly and her sister from moore river settlement, the realities of removing indigenous children from their families had a traumatic experience for those who were residential school survivors, they had formed a legacy of alcohol and drug abuse problems, feelings of hopelessness, dependency, isolation, low self-esteem, suicide behaviours, prostitution, gambling, homelessness, sexual abuse, and violence (elias et al 2012. Rabbit-proof fence is available to stream on netflix, amazon, and google play this film would make an excellent addition to any curriculum or class dealing with racism, government oppression, global history, indigenous peoples, family bonds, or individual powerlessness in the face of centralized power. The end of rabbit-proof fence states: aboriginal children were forcibly removed from their families throughout australia until 1970 today many of these aboriginal people continue to suffer from this destruction of identity, family life and culture we call them the stolen generations.
Boy is allowed to befriend the two white characters in the film, but is portrayed as being presented by philip noyce in rabbit proof fence, cannot ultimately discharge the a consistent reinforcement of aboriginal racial stereotyping is also marked cinematically through the existence of binary oppositions, or dualisms, within the filmic.